Tag: filmmaker

general

Ananya Panday was in talks, but Tanya Maniktala bags Mira Nair’s Amri: Report

admin

Filmmaker Mira Nair is reportedly moving ahead with her long-awaited biopic on the celebrated painter Amrita Sher-Gil, tentatively titled Amri. Though an official announcement is yet to be made, reports suggest that Tanya Maniktala, best known for her performance in Nair’s 2020 BBC series A Suitable Boy, has been chosen to play the Hungarian-Indian artist. Earlier speculation had linked Ananya Panday to the lead part, but a latest report by Mid-Day now indicates that Nair has opted to reunite with Maniktala for the ambitious project. The film, said to be a period drama set across India, Hungary, and France, aims to showcase the life and art of Sher-Gil regarded as one of the most important modernist painters of the early 20th century, whose work bridged European and Indian aesthetics. According to the report, the narrative will explore Amrita’s artistic journey alongside her relationships with key figures in her life, including her father Umrao Singh Sher-Gil Majithia, her husband Viktor Egan, fiancé Yusuf Ali Khan, and close friend Jawaharlal Nehru. In 2023, actors such as Naseeruddin Shah, Vicky Kaushal, and Jim Sarbh were reportedly approached for crucial roles. Nair, who has been developing the project for nearly four years, is said to be planning to begin production by the end of the year if all goes according to schedule. The filmmaker’s vision reportedly extends beyond a conventional biopic; she intends to highlight Sher-Gil’s influence in shaping the narrative of Indian modern art while introducing her legacy to wider international audiences. While official confirmation about the film’s cast and production timeline is awaited, the renewed buzz around Amri signals that Nair’s much-anticipated tribute to one of India’s pioneering women artists may soon be a step closer to reality. Also Read: Ananya Panday curates special Diwali board: “Helped me share traditions I cherish with a fresh twist”.

general

Santosh OTT premiere paused, director Sandhya Suri calls it “a real shame”

admin

Filmmaker Sandhya Suri has voiced strong disappointment after the last-minute decision to pause the digital premiere of her film Santosh in India, calling the move “a real shame”. The film set to debut on Lionsgate Play in India on Friday, October 17 was suddenly pulled. The delay follows persistent conflicts with India’s censorship system. Suri said, “The process in India is that the censor board (CBFC) may ask you to make cuts for a theatrical release. The cuts they asked for were not acceptable to me or my team. We could not make those cuts as they compromised the integrity of the film too profoundly.”She further insisted that her objections to mandated cuts for theatrical release remained the same for a streaming run and stated, “The objections I had to cuts for the theatrical release remain my objections for a streaming release. The streamers don’t need, by law, to have censorship status to show films. But perhaps this is about an environment in which streamers take on certain objections of their own accord for a harmonious universe.”Suri also flagged the unintended consequence of pulling the premiere: potential piracy. “It was announced and now we’re un-announcing, so a lot more people are going to watch it in some other form,” she remarked. “My wish is for the film to be distributed legitimately and uncut in India.”Santosh revolves around a widowed police constable, Santosh (played by Shahana Goswami), who steps into her late husband’s job and ends up investigating the murder of a young girl. Produced by Good Chaos with co-producers Razor Film and Haut et Court, it was backed by BFI and BBC Film. The film also represented the UK’s submission for the Best International Feature category at the 97th Academy Awards. Also Read : Santosh Release halted by CBFC over depiction of police brutality and caste issues; director Sandhya Suri REACTS!.

businesscriminalentertainmentindialawsuit

Rajkumar Santoshi gets summoned on October 27 after Jamnagar Court dismisses his appeal in the Rs. 1 crore cheque bounce case

admin

Filmmaker Rajkumar Santoshi, known for directing acclaimed films such as Ghayal, Damini, and Andaz Apna Apna, has faced a major legal setback after the Jamnagar sessions court dismissed his appeal in a cheque-bouncing case. The ruling, delivered on Thursday, October 15, upheld an earlier order passed by the Special Negotiable Instruments Court in Jamnagar, which had convicted Santoshi for issuing cheques that were dishonoured. According to reports, the case stems from a loan of Rs. 1 crore that businessman Ashok Lal had allegedly lent to the filmmaker. To repay the borrowed amount, Santoshi issued post-dated cheques of Rs. 10 lakh each. However, when Lal presented the cheques for clearance, the bank reportedly returned them unpaid due to insufficient funds. Following the dishonour of the cheques, Lal approached the Special Negotiable Instruments Court, which ruled in his favour. The court convicted Santoshi under provisions of the Negotiable Instruments Act, ordering him to repay double the cheque amount and sentencing him to two years of imprisonment. Challenging this order, Santoshi filed an appeal in the Jamnagar sessions court. However, after reviewing the evidence and the previous judgment, the sessions court dismissed his appeal and affirmed the lower court’s decision. In its directive, the sessions court has now instructed Rajkumar Santoshi to appear before it by October 27. The order further states that an arrest warrant will be issued if the filmmaker fails to comply within the given timeframe. The case adds to the list of legal troubles faced by Santoshi in recent years. The filmmaker, who has been a part of the Hindi film industry for over three decades, has yet to comment publicly on the court’s latest ruling. On the work front, Santoshi is currently completing work on Lahore 1947, produced by Aamir Khan, which also stars Sunny Deol, Preity Zinta, Sunny’s son Karan Deol, among others. With the sessions court’s decision reinforcing the earlier conviction, Rajkumar Santoshi’s legal options now appear limited, unless he seeks relief from a higher court before the stipulated deadline. Also Read: Producers put a ‘no-can-do’ clause in contracts regarding extra demands of stars: “If a star halts shoot to get a favourite ice-cream from the other end of town, he or she better pay for the ice-cream and the delay,” says Rajkumar Santoshi.